Barbara Bruch has traveled for many years to Great Britain and Norway in search for answers to the mystery of ancient carved stones, stone circles, runes, and contemporary crop circles. Her research and art have been greatly influences by these experiences.

Christine Eagon has also traveled to many power places of ancient England taking pictures with her plastic Holga camera. When Christine and Barbara first met they found that they were both going to the same places and seeking the same answers. After Christine visited the Royal Mail in Bath, England she was inspire to create unique visual chronicles of her travels. Over the years Christine and Barbara have been making and mailing their postal art to one another.

Barbara and Christine have combined Barbara’s research, artwork and Christine’s postal art journey photographs for this thought provoking exhibition known as Postal odyssey.

Barbara will also be exhibiting some of her paintings and Christine will be showing a related body of work titled “To the Tor”, which are black and white, selenium toned silver gelatin prints of the Glastonbury Tor, Stonehenge, and other power places of ancient England.

Doughlas Remy comes from a background in art history, linguistics, computer graphic design, and abstract painting. In the mid-nineties, he discovered the tactile joys of working with real objects (as opposed to virtual) and began practicing the French art of assemblage. Many of the objects that Doughlas incorporates in his work are items that have been discounted, recycled, or discarded. In addition to these objects he also used a variety of media, including inks, oils, acrylics, watercolors, gold and silver leaf, paper, metal foils, fused glass, plaster, semiprecious stones and scrap metal. He then coats and binds the ensemble in layers of epoxy resins.